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Cavan @ Last.fm
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The other day I was clicking around Duotrope's Digest in order to familiarize myself with a few new markets. The piece of writing advice I ignored the longest is something that appears in the submission guidelines of nearly every market - they tell you to read their magazine in order to get a taste of what they look for. Well, that seemed kind of labour intensive, so I never bothered with it much. Of course, as soon as I did start following that bit of advice, my stories seemed to fare a lot better in terms of acceptances and nice rejections. Anyway, I digress. I was intrigued by one thing that I saw in one market's submission guidelines (can't remember which, for the life of me). It said something along the lines of "Please name your characters. If you don't, how can we be expected to care about them?". As some of you know, I have a propensity for writing in the first person. I also have a propensity for not naming my first person narrators. So, when I saw this, it raised my eyebrows. It seems to me that, provided you're writing in first person, the lack of a name doesn't necessarily alienate the reader from the character. I can see how it might work if you're writing in third person, since you'd always have to refer to the character as "the man" or "the woman" or whatever. But, even then I'm pretty sure there are ways around that, if you have enough talent. I think the problem is not really the lack of a name in itself, though. Perhaps some will disagree with me (and feel free to do so in the comments), but I think the fact that this market requires characters to be named indicates that they've received plenty of submissions where writers have extremely underdeveloped their unnamed characters. I suggest this because a lot of people will do anything they can do add suspense to a manuscript. And a good way to do this is to add a mysterious character to the mix. To achieve that, the writer might simply not tell the reader anything about the character (read: unnamed and underdeveloped). I'm stretching one particular example here to get my point across, but I think you get the gist of what I'm getting at. It's not the lack of a name itself that makes a character hard for the reader to identify with, but the lack of a name that makes it easier for the writer not to give them a fully-realized personality (thus, reader can't identify, etc, etc, so on and so forth). Any other opinions?
Cavan blogged at 4:45 PM |
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