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Cavan @ Last.fm
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For those of you who have been reading the blog for a while, you might remember some of my Clarion angst from last year, when I was hoping desperately to get into last year's Clarion East. Well, since I love rambling on about the workshop so much (and since I'll probably be rambling on about it occasionally until I'm rejected or accepted this year) I thought I'd give a bit of background. Anyhow, Clarion started way back in 1968 and, since 1972, was housed at MSU in East Lansing, Michigan. It's an intensive six-week workshop geared specifically to science fiction and fantasy writers, where you live in university dorms with 15-20 other aspiring writers, and have a different instructor each week for the first four, and then an anchor team of instructors for the final two. Each day you have classes in the morning, story critiques in the afternoon and writing/general merrymaking in the evening. Last year (when I applied) was the last year that Clarion was to be held there. They've since moved to sunny California and this year will be holding the workshop in San Diego. Meanwhile, in 1984, Clarion West kicked off in Seattle. The two workshops were never formally associated, but used the same format. And, even though Clarion West was regarded as Clarion East's (which they'll probably be calling Clarion Beach now, or something like that) ugly little sister, there hasn't really been any difference in quality between the two for quite some time (if there ever was). As opposed to last year, I'll be applying to Clarion West this time around, a decision I've made based on two things - tuition and board is a few hundred bucks cheaper, and the instructors seem to suit me better. Sure, Clarion has Cory Doctorow this year, which would be awesome, but aside from that, but the rest of the instructors are fantasy writers. SF-centric as I am, I figured Clarion West would be the better choice. They've got two of the instructors who were at Clarion last year - Nancy Kress (she of the totally sweet Beggars In Spain) and Samuel Delany (he of the...well, living science fiction legend, really). Also teaching are Larissa Lai, a fellow Canadian, whose work skews more to the literary side of things. She's written a couple of novels (her first was shortlisted for the Books In Canada First Novel Award) that could be classified as somewhat mythological, I suppose. There's Graham Joyce, who I'd not heard of, probably on account of the fantasy pedigree, but he's got himself a shiny World Fantasy Award, which isn't too shabby. Then there's Kelley Eskridge, whose novel Solitaire was just fantastic (and, in terms of content, was extremely close to my own interests in SF). Lastly, there's Patrick Nielsen Hayden. And, let's face it, if there's anybody in the world you'd want to critique your work, how could it not be the editor at the biggest, bestest science fiction publisher in the world, Tor? Clarion West runs from June 17th to July 27th this year. I'm not entirely sure where I'd find the money if I was accepted, but I suppose it can't hurt to take a shot. As for what I'd submit, since "Between Eternities" and "Smoke and Mirrors" failed to make the cut at Clarion last year, I doubt I'll send those in again. Interestingly, Clarion West allows for both novel excerpts and stuff outside SF&F in their applications, so that means I could theoretically send in an excerpt from Mass Romantic if I so desired. Still, at this point, I'll probably stick with "Learning Magic From Mint" and "Spam", whenever it is I finish that story. Anyway, my goal is to get my application in by the end of the month, but I'll be keeping everyone up to date (probably more so than you'd like to be).
Cavan blogged at 12:40 PM |
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