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Cavan @ Last.fm
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I've been a bad blogger. So bad, in fact, that when I look at the next entry in my posting ideas file (I routinely keep a text file filled up with ideas of things to write posts about), I notice that it references a post by Lynn Viehl over at Paperback Writer that she made over a month ago. I apologize. I'm going to try to pick up the frequency of my posts from now on. Really. Scout's honour, and all that. Anyhow, her post was about ending lines. Personally, the last line of a story is of massive importance to me because if it hasn't written itself by the time I'm halfway through the project, chances are that the WIP is going to die before it ever reaches that point. I just need to always have the end in sight. I've also noticed that I tend to write either one-sentence endings, or at the very least I rarely exceed two. Then again, I also write in briefer sentences and paragraphs that most people I know, anyway. I was curious, then, to check out the endings from some of my favourite books - only a few do I know well enough to have memorized them, and I wasn't sure whether this tendency of mine was something subconsciously inherited from the stuff I read. Unsurprisingly, perhaps, most of the books I've read tended to have short endings. A couple (notably Salman Rushdie's Midnight's Children) have long and rambling final paragraphs, but they're in the minority. Just for kicks, I thought I'd share a few of my favourites: "That's true," I says. "And here's how it happened." - Thomas King, Green Grass, Running Water He never saw Molly again. - William Gibson, Neuromancer (Not because the line's great in and of itself, but because it so perfectly calls to mind the hard-boiled detective novels -- The Big Sleep, in particular -- that cyberpunk drew so heavily upon.) Mostly, I just don't give a fuck. - Todd C. Noker, Rated F All short and sweet, as you can see. As are many of the others that I could have placed here. Interestingly, though, one of my favourite overall endings (regardless of what the last paragraph is) of all time (Margaret Atwood's Oryx and Crake), even though it has a one-liner ending, is decent, but not great. (FYI, it reads "Zero hour, Snowman thinks. Time to go."). Also, my all time favourite final paragraph comes from Bret Easton Ellis' American Psycho, and it's by no means short. So, what are some of your favourite enders?
Cavan blogged at 5:03 PM |
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